T-town shows a different face at night, and that’s especially true of the Woolworth Building – that Edward Hopper-esque structure whose illuminated windows attract passersby with beauty like some half-forgotten memory.
The Woolworth windows on Broadway and Commerce are filling with new art installations. Tonight, we spotted Portland artist Julie Jansen burning the midnight oil while setting up her Artscapes exhibit, a meditation on invasive species.
On the Broadway side, Amy Oates‘ art installation appeared spectral; after nightfall, her congestion of delicate, cut-out paper silhouettes seem to bear less corporeality than their shadows. “My current work has to do with everyday people moving, merging and fading into each other as individuality is lost and something completely other-than emerges,” she says. “The uncertainty of forms….raises the idea that what is seen, reasoned and sensed may not be the ultimate in reality.”
Oates’ group of cut-out figures seems to be suspended in no particular time or place. “It is probable that any observed crowd will never be seen in the same location and spatial relation again. Individuals are mobile and transitory, and at the [same] moment ‘of the crowd’; nameless and faceless [amidst] unmoving space. Yet, the city – that static dot on the map – is formed, altered, and sustained by anonymous persons, fleeting moments, rubbed shoulders, blocked views, stuffy spaces, converging paths, and diverging destinations,” she explains.
Take a nighttime stroll at Woolworth’s and witness this and other dramas of urban life.
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